Sometimes a slightly provocative headline is necessary to attract attention. Please don’t take it too seriously. But it should be well known that the origin of my activities regarding horn development was dissatisfaction with these types of horns. Personally, I just couldn’t live with the fact that these horns consistently focus the sound extremely narrowly (beaming). There is more or less a very small sweet spot where you can experience the full spectrum of the music. If you move away from the sweet spot, the sound image collapse very quickly. What I have also noticed repeatedly as a negative aspect is that the on-axis listening experience is often very direct, tiring, or even annoying in the high-frequency range. As always, perception is subjective, and it may well be that there are people who explicitly like this. It is important to me to emphasize that I am not claiming that my opinion is the only valid one. Nevertheless, in this article, I would like to describe and also demonstrate with help of a BEM simulation why I have come to this conclusion and why I consider these horn types to be obsolete. Continue reading
Tag Archives: AKABAK
A True Grand Cinema Horn
Recently, I was involved in a private discussion with a guy who introduced himself as expert for home cinema setups. The topic was about a horn that could be used for a really large home cinema setup. Not what many would imagine immediately like a small room for 2-3 people. No, truly large for 10 or more people and the listening rows / seats have a third dimension in the vertical direction the more far away they are from the source. For such a setup, the horn should have very good directivity control. The person tirelessly promoted the TAD TH4003 as the ultimate solution for such setups. At that time I only knew the TH4003 horn from some pictures. But over the last years I have developed an eye for whether a horn profile meets certain requirements or not. That’s why I expressed my biggest concerns about the vertical pattern control of the TH4003. However, since I had no mesh file or STEP file of the TH4003 available at the time, no final assessment could be made. The discussion then more or less fizzled out. Some months later, a STEP file for TH4003. A few months later, a STEP file literally “fell off the back of a pssing truck” ;-), which gave me the opportunity to examine the horn more closely. I also remembered one of my first William Neile waveguides and the experiments with gentle diffraction slots and realized that I actually already had something much better in the drawer.
The first Making of a William Neile ALO SE Horn
Some time ago I presented the first article about my development of the ALO William Neile horn type and the underlying construction method. Although, most of my previous worksheets use a super ellipse for each 3D layer / spline along the horn axis. To have an alternative option for William Neile horns I have implemented the the necessary math together with evenly distributed Neile parabolas used in this context to build up the horizontal construction wave front. All William Neile (WN) horns based on the super ellipse algorithm will get the extension “SE” in their name.
By varying the Lamé exponent of the super ellipse formula many different shapes from elliptical to almost rectangular are possible. At throat everything always starts with a Lamé exponent of 2 which indicates an ideal ellipse. Of course, if major and minor axis of the ellipse are equal there will results a perfect circle at throat. If major and minor axis differ an ellipse will result. Generally, the major axis is the horizontal plane because it is intended to radiate more broad compared to the vertical plane (minor axis). For higher Lamé exponents of the super ellipse formula the resulting shape will be an almost rectangular spline but a transition function is needed to provide a smooth transition from exponent 2 to higher values along the horn axis. A very similar procedure was already used for my spherical wave horn (SWH) and JMLC worksheets.
This article is about the first making of such a horn by DonVK who much preferred the native elliptical shape and asked for my assistance to optimize a horn for his setup. Finally, we ended by with two horn of different cut-off. This article describes the making of the first smaller version.